Friday, December 26, 2008

When The World Comes Down - The All-American Rejects

After all the hype and fame that The All-American Rejects got from 2005's "Move Along", AAR has finally released a new album. 

Titled "When The World Comes Down," this album is their long-awaited follow-up to "Move Along," and it's been received as a mediocre record, at best. While I agree with what most major publications are saying, I think it's necessary to look at the album as a sum of parts, instead of just a CD as a whole. Yes, there are some bad things happening here on the record. But there are as many, if not more, good things going on as well. 

The beginning track starts off with a different sound than you'd expect to hear with AAR, based on their previous releases. You hear a synth going on throughout, which is a bit of a change. "I Wanna," has potential to be a great, high-energy song to start off the album with, and I believe everything is done right. Except for one thing: The Vocals. Honestly, if you ask me, Tyson Ritter sounds bored out of his mind throughout the entire song. The drums are fast and pounding, the guitars are loud, and the synth keeps the new album feel going on, but goodness, once the song is over, you really hope that Tyson tries a little harder with the rest of the record, and offers something a little less repetitive. 

You get what you want from Tyson in the second track, "Fallin' Apart." However, the music behind it is something very shaky. The orchestra sounds and the piano are a little out of place, and it gives us the feel that this song should be playing at a banquet hall during a ritzy, suit-and-tie-with-ruffles party. And once the orchestra drops out, it rocks pretty well, but it's a little too much of an abrupt change. Then during the last refrain you hear a bunch of female background singers come in. This, 9 times out of 10, is a fantastic thing. This time is that 1 single time when back-ups are not needed. At least not in the style that they're singing. Song 2 is a dud as well. Sorry guys. 

"Damn Girl" starts out like a regular old AAR song, with rich vocal harmony and simple guitar work. There is a big build-up in the beginning that falls short of what you expect from it, but otherwise, this is a pretty decent song. Finally, at track 3, you feel like you are listening to the AAR record that you thought you bought. 

Here's the single. "Gives You Hell" starts out with vocals and some electronic piano and simple drums. And while usually stripping down a band's sound is a bad thing, (listen to the rest of the record. Or "Big Bad World," the new Plain White T's album. PRIME example.) those instruments are all this song needs to begin. It's very simple and straightforward, and it really seems that this song came naturally to them. Which is great. This is the first song that really caught my ear and gave it what it wanted. At track 4. A little too late. But the cleverness and the mischievous charm that this song holds should keep you going on to the next track. 

"Mona Lisa" is supposed to be the next single from "When The World Comes Down." Mistake? I think so. This song is repetitive, cheesy, and Tyson tries to sing like a country star. And the band tries to sound like the Plain White T's. Given their latest release, that is a very bad idea. (No offense guys. I just know you can do better.) 

The second song that I actually enjoyed on this album was the next one. "Breakin'"I thought that this one could be the next single. But I was wrong. This is a big song, with big vocals, a big sound, and a big driving force. I think that this was their attempt at power-pop. And I think they did a fine job with this one. 

There is a duet on this album, called "Another Heart Calls," which is another new thing for AAR, and I think that this is one of the many things that could have waited, or been cut from this record. They're trying a few too many new things at once, and it's sending the listener all over the place. This song is a decent track, if you're ready to be left hanging. Yes, it's a more mature sound, but I don't know if that's what you want from AAR. They're supposed to be fun and bouncy and driven. Too much has changed, in this reviewer's opinion. 

"Real World" is a very electronic sounding song, that is actually a decent song. It's more mature than some of their other stuff, and it really keeps your attention. It's an intense song and would have been a strong last song for the record. If the boys know what's good for them, this song will be released as a single before long... hint... hint...

"Back To Me" is just too long and drags on and on, but it's more true to their older styles. Same with "Believe," which could also be a single. And "The Wind Blows" is a terrible excuse for a final track. With the last track on your record, you want to make a statement. Doesn't have to be fast or slow. It should just make a statement. It should leave your listener satisfied, but ready to listen to the album again. I love it when I finish a CD from start to finish, and when it's over I just stare into space for a minute, take a deep breath, and feel a smile creep onto my face. AAR did not do that at all with "The Wind Blows." It's my theory that any song with the word "wind" in the title, is going to suck (with the exception of the song "Windy" by The Association. That song is amazing). But I hear whistling in this song. That makes it a failure. Most of the time, whistling ruins a song as well (minus "Sittin' on the Dock of The Bay" by Otis Redding. Another classic. And the whistling is awesome). So we have "wind" in the title, and whistling in the song. Ouch, guys. 

If I had to give this album a grade, it would probably be a C-. Honestly. Too much stripping down was combined with too much style variations, and it made for kind of mush. The album was a confusing mess. I think if "Gives You Hell," "Breakin'," "Real World," and "Believe" were put on a new album and songs were built around them, then you'd have a great record. But until then, just look for the next album to come out by them. I think that the next one will be a good one. Just a hunch. But hopefully it won't take another 3 years. 

JB

Tuesday, December 16, 2008

Come Ride With Me, Through The Veins of History

So how awesome is Muse? Really? I'm willing to bet... oh say.... $14 Billion (the amount of the proposed and denied GM Bailout? Maybe) that they are one of the greatest and most talented and pioneering bands in history. 

Seriously, let's talk about this. Have you ever listened to any of their music? If not, get off this page and go to iTunes and buy their music, or go to YouTube and check them out. It's so incredibly intricate. Their music is like a combination of Brit-pop, metal, funk, classical music, and indie. And they make it sound sooooo good. If you listen to any of the electronic parts in their songs, you should try to picture it being played by a full string orchestra. Fits perfectly, right? 

And how about Mattew Bellamy's voice? Talk about intense. When he's in full voice, he can sound more powerful than the jaws of life. And when he kicks it up into his falsetto voice, oh man. Talk about sleek and sexy. I can say that. It's ok. I asked my girlfriend. ;-)

Vocal harmony is something that's been used for years and years, but Muse seems to have constructed their own brand of harmony. In Knights of Cydonia, when the lyric comes in, "No one's gonna take me alive. The time has come to make things right. You and I must fight for our rights. You and I must fight to survive," get ready to be overwhelmed with warm fuzzies. Yes, it's a really dark part of the song, but the vocals are so incredibly rich here that when I hear them, I could just burst. 

Have you heard all of the classical piano played in their music? And all of the hard driving bass lines? And the huge drum beats? And all of the crazy effects that they use? 

This band needs to be appreciated. There is something in there for everyone. Literally. 

Look them up. 

http://www.muse.mu/index.php
http://www.myspace.com/muse

Monday, December 15, 2008

Oh Canada...

I just remembered how much I miss Five Iron Frenzy. I hope that I'm not alone in wishing they'd come back. 

Really long extensive title that has nothing to do with the post....

Ok. So let's talk about Fall Out Boy. 

First off, let me get a few things straight. Fall Out Boy is not a bad band. You are allowed to like them. It's ok. I promise. Lots of people do. I don't. But who am I anyways? There are just so many things going around about them. So I'm involuntarily intrigued by them. 

So Patrick Stump. Bald spot? Or not? I don't know. I've heard in an interview in Rolling Stone Magazine (you'll find out that I religiously read Rolling Stone and constantly refer to things I've read in there) that he wears the hat as kind of a safety blanket, as if to say that suddenly he feels OK on stage once he puts on the hat. And he also stated that the hat was NOT constantly on his head to cover up a bald spot. He was in an episode of Law & Order where he does not wear a hat. And apparently there's no bald spot. But that kind of thing can be easily fixed in costume/makeup, and also in editing. Thoughts? I'm perplexed. And not convinced either way. 

Ok. Pete Wentz. What's his deal? Things he has going for him: He has his own record label. Smart move. He's got a successful band. He can spin in circles really fast without getting dizzy. He has a wife and now a new baby. Congrats, Pete. BUT. Things against him: No one knows his real sexuality. He has stated that "anything above the waist is fair game" but he's "not a fan of penises." Nothing against homosexuality in the slightest. I promise you. It's just something that I think Wentz is taking really lightly. He's treating it as laughable and using it for publicity, in my opinion. Kinda lame. Also, he may be stretching himself too thin so early in his life. He's young. He has time. He doesn't need to be planning a movie, having babies, touring, running a label, writing music, writing books, designing clothes, and doing all this other stuff at the same time. Why not pick one? I think he's gonna crash land one of these days and it's not gonna be pretty. No offense, Pete. 

And what's this I've heard about Fall Out Boy using studio musicians and auto-tuning for their studio recordings? I don't know if the rumors are true. But come on, guys. Some of us are trying really really hard to increase our skills and make some money from doing it. Don't let technology make you famous. Prove yourselves to us. Impress us. Give us some deeper reasons to like you and your music. 

I've also heard that Fall Out Boy was started as a joke, to make fun of pop-punk, and people actually liked it so they're running with it still. That's why their song titles don't make any sense, and their lyrics are incoherent (most of the time. Come on. You know it Patrick). Just a rumor. Any thoughts? I also know that before Fall Out Boy, all members of the band (minus Patrick) were in metal bands. Most notably, Pete Wentz was in a band called Arma Angelus with Tim McIlrath, now the lead singer of Rise Against. 

Props to drummer Andy Hurley though. He's going back to school soon, or so he says. Anthropology and history. Tough picks, man. I hope he follows through. I think Fall Out Boy needs some character. 

So that's that. I was just thinking about this band and trying to figure out what they had going for them, and what they had going against them. Because with listeners, either you like them, or you don't like them. Honestly, there's no middle ground for Fall Out Boy. I personally don't enjoy them. But if you still like them, I don't hate you. I swear. You're still cool. 

Check back for my next post :) 

Friday, December 5, 2008

It all just sounds the same....

Hi. I'm Jim. I'm a junior at Elmhurst College where I'm studying music business.
And this is my blog.
I'm not exactly sure of the exact reason that I started this blog. I got inspired this morning, and before I knew it, I was registering this name for a blog and the now, here I am, back from class, writing my first entry. Or post. Or whatever they're supposed to be called.
So here are my intentions with this thing, and what you might be able to find if you keep an eye on this blog:
Album reviews
Backstories on artists/albums
My personal goings-on
Any other random stuff. Time will tell.

Thanks for reading this!

- Jim